The artists who have created
this month's Exhibition are:Jo
Kinross Sharron Martin
Colleen Plant Sue Haydon
Beryl Allain Chris McGuigan
Helen Grant Ronnie Martin |

Chris McGuigan is a multimedia
artist working from her studio Heart Gallery here in Nelson. She enjoys taking
ordinary and everyday stuff and turning it into something that has a little
magic. |
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Eco Dyed Lambskin Top
>>>
by Chris McGuigan $300.00
Merino Wool, Silk, Bamboo and Cotton embroidery threads plus traces of manmade
fibre embellishments. Pure NZ Merino wool base embellished with silk puffs,
sparkling lamé, threads of silk, cotton and bamboo and wrapped with leaves of
eucalyptus, geranium and a host of windfall treasures has then been dipped and
dyed in a boiling cauldron of onion skins. Little secrets became visible after
the package is unwrapped where nuts and bolts and stones had been stowed,
marks appear that reveal the shape of the object, bright orange leaf shapes from
the eucalyptus leaves and on the silk sash at the neckline, lavender fronds and
pale red geranium petals have left delicate lines that trace the history in the
making of this garment. >>> |

Title: 'Eucalypt' by Beryl Allain $180
This piece represents the trunk of a Eucalyptus tree. The earthy tones were
obtained by boiling various distressed materials in a solution of water and
Eucalyptus leaves for hours over an open fire. Layering and stitching pieces
together emulates the peeling bark and falling leaves that the Eucalyptus is so
known for. |
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Beryl Allain's comments:
'I am predominately a felt maker. Felt is so versatile and can
convey many different moods. It can he hard or soft, detailed or simple, vibrant
or calming, manipulated or stitched and sculpted, in fact the possibilities are
endless.
I like to start with the raw fleece, this allows me to be part of the whole
process of meta-morphasising natural fibre into a living piece of cloth. Hand
dying gives me a random control over the colours produced. Fleeces from
different breeds produce unique results.
The process of making felt is very much 'hands on' and labour intensive. One has
a certain amount of control combined with a randomness. This is very exciting as
one can never be sure what the result will be.
Felt making is addictive. I am ensnared by it. All the designs are taken from
what I see around me. I work these up in my sketch books until I arrive at
something that pleases me. The design will influence what type of fleece to
choose and what form the piece may take.' |
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Ronnie Martin "Ancient
Journey" $180.00 >>>
This vest is an exploration of
ancient landforms and geographical markings. I have used stitch as the linking
lines between the paths of my journey.
Materials: Felt, silk, cotton,
organza, recycled lace, and stone beads. |
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Helen Grant
'Tracks' $154.00
Wool, Silk, and Stitching, eco dyed 610 x 800 |
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Susan Heydon
Boxes - Jacket - Shawl
The boxes are the result of my fascination with the process of Eco Dyeing
realised after attending India's workshops.
1. Ice flower and Heated dyed samples using Red Cabbage, Beetroot and Pansies
$100.00
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2. Wooden box with
selection of handmade paper and heated dyed cloth samples exploring the plant
materials in my garden including oxalis! $120.00
>>> |
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^^3. Heated Samples from various sources
including remains of red onion used to make chicken soup, dried herbs, green
tea, and turmeric! $200.00 |

^^^4. Pushing a Few
Boundaries...
Handmade paper using plant
material and colours resulting from my heated dyeing exploration. |

5. Reclaimed Hemp and Cotton
Jacket and Dress resulting from India's workshops $400.00 |

6. Felted StItched and Dyed Shawl.
$500.00 |
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Sharron Martin
Windfall Magic
A random selection of windfall
leaves were arranged in rows inside a length of white silk that was then rolled
around a piece of woody flax. String and rubber bands were used to tightly cover
and secure both ends of the silk bundle, as well as regular intervals in the
middle. The wrapped & secured silk bundle was boiled in an enamelled iron pot
with purple ake ake leaves and some rusty iron for several hours, removed,
slowly dried, then finally unwrapped after several weeks. The support backing
for the silk is made with muslin, pre-felt, cellulose glue, banana and silk
fibre, cotton threads, sequins and beads.
I have been an art teacher for 25 years and have always had a love affair with
fabrics and colour...
I am now enjoying playing and discovering with eco
printing and dyeing knowing that the outcome is usually unpredictable, often
surprising, and quite magical! |

Colleen Plank
'Island Time' $200
Revisiting the
magic of natural plant dyes and the surprises it offers helps to loosen up the
creative spirit. Creating patterns with shells, making paper with fibres and
plants all remind me of Island Time ...slowly, slowly.
Materials used include silk organza,plant-dyed homemade paper, hawthorn and silk
thread. |

A 'must-see' exhibition |
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Jo Kinross
Jo has had a passion for textiles all her life. She can still remember the
joy as a child of playing amongst hundreds of sample swatches from her
grandfather's textile importing business. Later she had her own treasure trove
in the form of a yarn & knitwear shop in Melbourne.
After a long search, Eco Colour has finally given her the vehicle for her
creative expression.
1. Ferns.. Leaf Print of various ferns in a choisya ternata dye bath on habotai
silk. 40 x 160 $150
2. Spring.. Ice flower prints in Pansy dye bath on habotai silk 40 x 160 $150
3. Pseudo Ikat Print of Pseudopanax arboreus berries in choisya ternata dye bath
on dupioni silk 23 x 135 $150
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2 Scarves by Jo Kinross each $70 >>> |
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